Composing the Shot

Learn story-driven composition, techniques to create a compelling frame, and how working Hollywood directors approach cinematic composition.

Composing the Shot

Developed by Jason Tomaric, FilmSkills
ABOUT THIS LESSON
The audience only sees what you point the camera at, and as filmmakers, the stories we tell must exist within the boundaries of the frame.  The way we choose to place our subjects in the frame significantly affect the audience’s visual perception of the story and invoke subtle – yet powerful emotions.
 
In this lesson, learn how to break down the script for story-driven composition, plan concise coverage, common mistakes to avoid, and how to cheat the fame for the sake of the story.
 
Learn from the masters and harness the power of the frame to create compelling, story-supporting visuals in your movie.
  • 27:03 video on techniques for composing your subject in the frame
  • Complete resource guide
  • Extensive Framing Guide
WHAT YOU WILL LEARN
  • Important compositional guidelines and their importance when framing a shot
  • How a director can approach the composition from a story-telling perspective
  • Developing emotionally driven composition
  • How to cheat reality for ideal shot composition
  • The role of the camera operator in composition
ABOUT THE LESSON AUTHOR
Jason Tomaric

Jason Tomaric

Director, Cinematographer Los Angeles, California
Jason J. Tomaric is an Emmy, Telly, and CINE Award-winning director and cinematographer of four internationally-distributed feature films, dozens of national television commercials, music videos, and the largest film training content library in the world, published author of 8 books - used in many top universities, and creator of AccuSkills.com, an industry-changing learning management platform. 
 
Jason has worked in Los Angeles and around the world in over 20 countries. His clients include Disney, NBC/Universal, National Geographic, McDonald’s, Toyota, Scion, Microsoft, and Paul Mitchell, with narrative work screened at Sundance, Slamdance, and South by Southwest film festivals as well as on Netflix and on all broadcast networks.
 
Jason has taught and/or guest lectured at some of the nation's most prestigious film schools including UCLA, Columbia College, John Carroll University, Kent State University, San Francisco State, University of Notre Dame, and numerous film festivals.
 
Jason has written eight industry-defining books, all sold in bookstores, and used in film schools around the world. The American Society of Cinematographers hails Jason's books - "There are no wasted words in Tomaric's tome, which concisely summarizes each facet of the director's craft.  It's difficult to think of a step in the process that Tomaric fails to address." 
 
Jason’s DVD training series on Hollywood film production have trained filmmakers in over 40 countries, with distributors in Europe, Hong Kong, New York and Australia.
 
In 2010, Jason launched FilmSkills, which combines the world’s largest film training video library with his proprietary learning management system.  Adopted by 47 universities within the first year, FilmSkills is now the leading industry-standard training solution for motion picture and television production.
 
In 2015, Jason launched AccuSkills.com, an industry-changing learning management platform that bridges the gap between academia and industry.
CONTRIBUTORS TO THIS LESSON
Andrew Davis

Andrew Davis

Director: "The Fugitive," "Code of Silence," "Chain Reaction," "Collateral Damage," and "The Guardian"
Born on the south side of Chicago, Illinois, Davis has directed several films using Chicago as a backdrop. He is the son of actor Nathan Davis and Metta Davis and the brother of musician Richard "Richie" Peter Davis co-founder of the cover band Chicago Catz and Jo Ellen Friedman.
 
After attending Harand Camp of the Theater Arts and Bowen High School, Davis went on to study journalism at the University of Illinois at Urbana-Champaign. It was not long before his interest in civil rights and anti-war issues converged with his growing interest in film-making. Davis was mentored by acclaimed cinematographer Haskell Wexler with whom he worked on Medium Cool and began his film career as a cameraman on blaxploitation films like The Hit Man, Cool Breeze and The Slams in the 1970s.
 
His first feature film as a director was the semi-biographical story, Stony Island. Davis has gone on to direct such films as The Fugitive, Under Siege, Above the Law (both starring Steven Segal), Code of Silence, Holes, The Package and The Guardian.
 
Davis also directed the cutscenes for the videogame Splinter Cell: Chaos Theory.
Bethany Rooney

Bethany Rooney

Critically acclaimed Director, "Brothers and Sisters", "Grey's Anatomy", "Desperate Housewives", and "Private Practice"
In an environment where less than ten percent of dramas on television are directed by women, Bethany Rooney has enjoyed a long and esteemed career.  She has directed over one hundred and fifty episodes of prime-time network shows, including Grey’s Anatomy, Desperate Housewives, Brothers and Sisters, and Private Practice.  For cable television, she has directed In Plain Sight, Weeds, and Drop Dead Diva.  She began her directing career on the 1980’s iconic television show, St. Elsewhere, where she had served as associate producer.
 
She has also directed eight television movies, including three Danielle Steel adaptations for NBC.  Her movies have earned reviews such as the following from Variety:  “Bethany Rooney’s sensitive direction makes for some vivid and understated moments,” and the Hollywood Reporter noted her “carefully paced and involving direction (featuring) magnificent acting.”   She has directed Oscar winners and contenders Denzel Washington, Hilary Swank, Mary Tyler Moore, Angela Bassett, George Clooney, Alfre Woodard, Felicity Huffman, Sally Field, and Robert Downey Jr., among many others. She is also the author of The Director Tells the Story.
Bruce Block

Bruce Block

Producer, "The Holiday,” "Something's Gotta Give,” "What Women Want,” and Author of "The Visual Story"

Bruce A. Block is a film producer, author and visual consultant whose career spans 30+ years. In 2001, Block's book The Visual Story was published. In 2007 it went into a completely revised second edition. Block began work as a Filmic and Visual Consultant on such films as "Irreconcilable Differences" (1984) and "Bachelor Party" (1984). He has gone on to be a consultant for films such as "Stuart Little" (1999), "As Good As It Gets" (1997) and "Spanglish" (2004). As a film producer, Block has produced and co-produced such films as "The Holiday" (2006), "Something's Gotta Give" (2003), "What Women Want" (2000), Disney's "The Parent Trap" (1998), "Father of the Bride" (1991) and "Father of the Bride II" (1995).

 

In 2007, Block was featured in an on-camera interview, discussing visual style, for the 40th Anniversary DVD release of the film "The Graduate". Block's audio commentary as a film historian is also featured in the 2008 Collector's Edition DVD of the classic 1960 film "The Apartment."

 

David Stump, ASC

David Stump, ASC

Academy Award and Emmy-winning cinematographer, "A Quantum of Solace", "Flight Plan", "Fantastic Four", and "X-Men"
David Stump, ASC, works on numerous motion pictures and television productions as Director of Photography, as Visual Effects Director of Photography and as a Visual Effects Supervisor, garnering Emmy nominations and an Academy Award for Scientific and Technical Achievement for Camera Data Capture Techniques.  His credits include such projects as James Bond 22 A Quantum of Solace, Flight Plan, Fantastic Four, X-Men 1 & 2, Into the Blue, Garfield, Panic Room, Deep Blue Sea, Batman Forever, Hollow Man, Men of Honor, Stuart Little, The Sphere, Contact, Batman & Robin, Mars Attacks, Executive Decision, Stargate, Free Willy, and What Love Is, among others.
 
A member of the Producer's Guild of America (PGA), the Visual Effects Society (VES), the Society of Motion Picture & Television Engineers (SMPTE), the Academy of Motion Picture Arts and Sciences (AMPAS), and the Academy of Television Arts & Sciences (ATAS), Stump has been involved in Digital Visual Effects for over 20 years, since the advent of Computer Generated Images for film.  He has also been involved in shooting High Definition images for many years and has been an advisor and consultant to numerous HD camera manufacturers.  In 2001 he was accepted for full membership into the American Society of Cinematographers, where he is currently chairman of the Camera Subcommittee of the ASC Technical Committee.  His work there helps to shape the future of digital cinematography, by bringing together working cinematographers with the builders of their tools. He is currently working on a book that will demystify digital and high definition cinematography.
 
Harry C. Box

Harry C. Box

Camera Operator, "Heroes," "Brothers and Sisters," and Author of "The Set Lighting Technician's Handbook"

Harry C. Box has worked in television and motion picture production since 1989. Over the years he has done substantial work as a lighting technician, gaffer, camera operator, director of photography, and as an educator. His recent credits include network and cable television series, such as "Heroes" (NBC), "Brothers and Sisters" (ABC), and "Everybody Hates Chris" (CW). He has worked on major motion pictures, independent feature films, telefilms, documentaries, music videos, commercials, and industrials. Harry has also written "The Set Lighting Technician's Handbook," now in its fourth edition.

Jason J. Tomaric

Jason J. Tomaric

Emmy-winning director/Cinematographer
Jason J.Tomaric is a multiple Emmy, Telly and CINE Award-winning director and cinematographer. With four feature films, sixty commercials, music videos and an educational DVD series on the market, Jason's approach to filmmaking has made for a successful, fulfilling career. Jason has worked in over 20 countries as a director and has taught at some of the nation's most prestigious film schools including UCLA and the New York Film Academy. Jason's book, "Filmmaking"(Focal Press) is available in bookstores worldwide.
 
Jason is also the creator of FilmSkills.
Lance Fisher S.O.C.

Lance Fisher S.O.C.

Camera Operator, "House M.D.", "Blade: Trinity", "The Shield"
Lance Fisher is a camera oerator and member of the S.O.C.  His extensive credits include House M.D., Krog, The Shield, Jonas, Las Vegas, Blade: Trinity, Paycheck, Dark Angel, Level 9, Scream 3, Godzilla, Chicago Hope, and Party of Five.
Laura Beth Love

Laura Beth Love

Cinematographer, "Zen and the Art of Senioritis", and "Little Magdeline"
Los Angeles-based cinematographer and instructor at Los Angeles Film School.