Working with SAG/AFTRA

Learn how SAG functions, the ramifications of the SAG-AFTRA merger, how signatories work, how the Taft-Hartley act admits new members into SAG-AFTRA, and the benefits and drawbacks of Financial Core.  Be prepared when working with SAG-AFTRA actors on your production.

Working with SAG/AFTRA

Developed by Jason Tomaric, FilmSkills
ABOUT THIS LESSON
One of the largest unions in the entertainment industry is SAG-AFTRA, which represents actors and performers on both the big and small screens.
 
In this module learn how SAG functions, the ramifications of the SAG-AFTRA merger, how signatories work, how the Taft-Hartley act admits new members into SAG-AFTRA, and the benefits and drawbacks of Financial Core.  Be prepared when working with SAG-AFTRA actors on your production.
 
  • 25:47 video that walks you through the process of working with SAG-AFTRA performers
  • Illustrated companion guide
WHAT YOU WILL LEARN
  • What is SAG-AFTRA?
  • How can an actor join the union?
  • What is a signatory?
  • What the the benefits and drawbacks of working with SAG-AFTRA performers?
  • What is Taft-Hartley?
  • What is Financial Core?
ABOUT THE LESSON AUTHOR
Jason Tomaric

Jason Tomaric

Director, Cinematographer Los Angeles, California
Jason J. Tomaric is an Emmy, Telly, and CINE Award-winning director and cinematographer of four internationally-distributed feature films, dozens of national television commercials, music videos, and the largest film training content library in the world, published author of 8 books - used in many top universities, and creator of AccuSkills.com, an industry-changing learning management platform. 
 
Jason has worked in Los Angeles and around the world in over 20 countries. His clients include Disney, NBC/Universal, National Geographic, McDonald’s, Toyota, Scion, Microsoft, and Paul Mitchell, with narrative work screened at Sundance, Slamdance, and South by Southwest film festivals as well as on Netflix and on all broadcast networks.
 
Jason has taught and/or guest lectured at some of the nation's most prestigious film schools including UCLA, Columbia College, John Carroll University, Kent State University, San Francisco State, University of Notre Dame, and numerous film festivals.
 
Jason has written eight industry-defining books, all sold in bookstores, and used in film schools around the world. The American Society of Cinematographers hails Jason's books - "There are no wasted words in Tomaric's tome, which concisely summarizes each facet of the director's craft.  It's difficult to think of a step in the process that Tomaric fails to address." 
 
Jason’s DVD training series on Hollywood film production have trained filmmakers in over 40 countries, with distributors in Europe, Hong Kong, New York and Australia.
 
In 2010, Jason launched FilmSkills, which combines the world’s largest film training video library with his proprietary learning management system.  Adopted by 47 universities within the first year, FilmSkills is now the leading industry-standard training solution for motion picture and television production.
 
In 2015, Jason launched AccuSkills.com, an industry-changing learning management platform that bridges the gap between academia and industry.
CONTRIBUTORS TO THIS LESSON
Cristen Carr Strubbe

Cristen Carr Strubbe

Line Producer, UPM, "Catch Me if you Can," "Charile Wilson's War," "Ali," and "The Prestige"
Through her company, Pimpernel Productions Inc, Cristen Carr Strubbe provides breakdowns, board and budgeting services for independent and studio majors alike. As a Production Manager Mrs. Carr Strubbe collaborates some of Hollywoods best directors, writers and financiers. Since 2001 she has worked along side Sam Remi, Aaron Sorkin, Christopher Nolan, Sam Mendes, Mike Nicols, Michael Mann and Steven Spielberg. Mrs. Carr Stubbe's credits include: AMERICAN BEAUTY, CATCH ME IF YOU CAN, ALI, CHARLIE' WILSON'S WAR, and THE PRESTIGE.
Jerry Magaña

Jerry Magaña

Producer, "Fred and Vinnie," and "Falsehood"
 A native Southern Californian, Jerry P. Magaña graduated from Art Center College of Design in Pasadena, CA in 2000 with a Bachelor of Fine Arts Degree in Film with Honors. Mr. Magaña’s student portfolio includes clients like Coca-Cola, Swatch, Diehard Batteries, 1-800-DENTIST, Anheuser Busch, Labatt Brewing Co., SONY & Panasonic Electronics to name a few.
 
His career highlights as Producer include the short film, Falsehood, a multi-award winning short film that was featured in the 2002 Cannes Film Festival. Additionally, he was awarded a Silver Clio for his work as Producer on Director Vee Vitanza’s Adopt-A-Pet (entitled, “Companionship”) speculative spot. In 2003, Mr. Magaña completed production on his first independent feature film, Firecracker, directed by Steven Balderson. Firecracker was selected by several major festivals and has gone on to receive critical acclaim worldwide and from such notable critics as Roger Ebert.
 
Mr. Magaña has worked in post-production as a Visual Effects Producer and Coordinator with Stargate Films in Pasadena, CA and Ghost Machine VFX in Torrance, CA. His VFX production credits include season one of Desperate Housewives, the pilot episode for Eyes, Director Mike Judge’s second feature film Idiocracy by Twentieth Century Fox and The Untitled Onion Movie also by Fox.  Additional clients include Toyota Motors Sales, CALTY Design Research, Inc. in Newport Beach, CA and the Lockheed Martin Corporation. Since 2008, Mr. Magaña has completed producing his second independent feature film, Fred and Vinnie with Director and Executive Producer, Steve Skrovan (Everyone Loves Raymond) written by and starring actor/comedian, Fred Stoller (Seinfeld).
 
To date, Mr. Magaña has and continues to develop a number of alternative program concepts as well as scripted episodic treatments. In addition to concepts in development, Mr. Magaña continues to work in Visual Effects and as a freelance Production Manager or Line Producer for various commercial, narrative and industrial productions.
 
Noel Bermudez

Noel Bermudez

Production Accountant, "Tin Cup," "Dangerous Minds," "Switched at Birth," "The Nine Lives of Chloe King," "Greek," Huge," and "10 Things I Hate About You"
Currently working on the hit ABC Family show, SWITCHED AT BIRTH, Noel Bermudez has been the production accountant an several notable projects. His credits include: Golden Globe-nominated TIN CUP, DANGEROUS MINDS, WASTELAND, LINCOLN HEIGHTS, and the Emmy-winning mini-series THE PACIFIC.
Steve Skrovan

Steve Skrovan

Two-time Emmy Award-winning Executive Producer, "Everybody Loves Raymond," and Writer, "Seinfeld"
Steve Skrovan has had an eclectic career in show business as a stand-up comedian, actor, television writer and film director. Originally from Cleveland, Ohio, and a graduate of Yale University, Steve began his career as a stand-up comedian in New York City during what is now referred to as the “Comedy Boom” of the ‘80s. After moving to Los Angeles at the end of that decade, he segued from stand-up into comedy writing when Larry David gave him his first writing job on “Seinfeld.”
 
Steve subsequently landed on the first season of “Everybody Loves Raymond,” where he stayed for the entire nine-year run of the series, rising to the level of executive producer and garnering two Emmy Awards. After Raymond, he has been on the staffs of “‘Til Death,” starring Brad Garrett and “Hank,” starring Kelsey Grammer. Currently, he is a co-executive producer on “Hot In Cleveland,” starring Betty White. In film, Steve directed the critically acclaimed, Sundance Grand Jury nominated, and Oscar short-listed documentary on the life and career of Ralph Nader entitled “An Unreasonable Man.” Steve made his narrative directorial debut with the feature “Fred and Vinnie,” which is currently on the festival circuit.
Tara Radcliffe

Tara Radcliffe

Actress, Hollywood Board Memeber for SAG-AFTRA, "Law and Order" "Grand Theft Auto: Vice City," and "Agent 6"
Tara hails from a small town outside of a small suburb outside of a small city in Texas called Whitehouse.  Her relentless desire to perform led her to NYC where she eventually became a World Famous Rockette at Radio City Music Hall.  Cold winters and aching dancer-bones led Tara to the west coast only a few years ago.  The warm weather and her new convertible suited her nicely, as did her opportunity to appear in numerous TV shows, commercials and films.
 
A working professional, Tara is proud to represent her fellow actors as a Hollywood Local Board member for SAG-AFTRA.