Production Assistants

Through her company, Pimpernel Productions Inc, Cristen Carr Strubbe provides breakdowns, board and budgeting services for independent and studio majors alike. As a Production Manager Mrs. Carr Strubbe collaborates some of Hollywoods best directors, writers and financiers. Since 2001 she has worked along side Sam Remi, Aaron Sorkin, Christopher Nolan, Sam Mendes, Mike Nicols, Michael Mann and Steven Spielberg. Mrs. Carr Stubbe's credits include: AMERICAN BEAUTY, CATCH ME IF YOU CAN, ALI, CHARLIE' WILSON'S WAR, and THE PRESTIGE.

Eve Honthaner has been working in the entertainment industry in the field of production management for many years. Curently a production manager at Dreamworks, some of her credits include: Titanic, Tropic Thunder, Just Married, Joy Ride and In Dreams. In addition to teaching at the University of Southern California's Summer Program, she’s been an instructor at The International Film & TV Workshops in Rockport, Maine and she is the founder of the Los Angeles-based networking organization Film Industry Network. She’s also the author of the industry bible, The Complete Film Production Handbook.

Josh McLaglen graduated from UCLA in 1980 with a major in History.  After working with his father, director Andrew McLaglen, as a stuntman and a production assistant, he joined the DGA in 1984. He worked as a 2nd AD with his mentor Duncan Henderson on several films.  In 1987 he became a 1st AD on the TV mini series, AMERIKA, and his current film, REAL STEEL, marks Josh's 40th film as a First Assistant Director.  In 2002, he started working in a dual capacity as a Co-Producer/1st AD and now works as an Executive Producer/1st AD. Josh has had the pleasure of working with accomplished directors such as current DGA President: Taylor Hackford, as well as Robert Zemeckis, Francis Lawrence, Michael Bay, Shawn Levy and James Cameron.  He's been nominated twice for the DGA Award: AVATAR in 2009 and TITANIC which he won in 1997.  Josh is one of the industry's pioneers of the motion capture technology and has the distinct honor of having the two highest grossing films of all time: #1 (Avatar) and #2 (Titanic) on his resume.

After graduating from USC with an MFA in Film Production, Keith started at the bottom and worked his way up on anything he could get, mostly on features, TV and commercials.  He was a PA on Father of the Bride, a carpenter on Twin Peaks, a painter, a sound mixer, etc., etc. Within two years, he’d worked every single position except Hair Makeup or Wardrobe.  After awhile he settled into a production track, coordinating, production managing, line producing, and producing.
 
Keith has produced over 200 commercials, a couple of award winning independent features, over 100 hours of TV and several exceptionally effective promotional videos.  He has line produced or production managed another dozen features and several TV series.
 
One film he produced, Crazy Jones, won Audience Choice Feature Award at Cinequest in 2003, and Grand Prize at several other festivals.
 
Keith is based in Los Angeles and continues to Produce and Line Produce Independent Feature Films and Television.  He has also started a production services company to help people to make their first feature film.

Days after graduating from the DGA Assistant Director’s Training Program in 1996, Maria began her first of many features & TV shows as a 2nd AD on the acclaimed film “Boogie Nights” directed by Paul Thomas Anderson. Throughout the next several years, Maria worked with some of the best 1st AD’s in the business & such esteemed directors as Mike Nichols, William Friedkin, Ang Lee, Francis Lawrence, Robert Zemeckis & James Cameron. But it was Maria’s experience as Key 2nd on the ground-breaking “Avatar”, which taught her the most detailed elements of filmmaking & VFX, especially as her role changed to 1st AD for Additional Photography & 2nd Units. Most recently, Maria just completed her role as Key 2nd AD for her long-time mentor & 1st AD Josh McLaglen on Director Shawn Levy’s “Real Steel”.

Stephen Marinaccio picked up his first camera at the age of 8 and immediately knew that he wanted to be a filmmaker. He studied tirelessly through high school and college to learn the history and techniques of the medium. With 20 years of experience working in various positions on over 45 feature films he has acquired the knowledge it takes to line produce.

 

In 2001, James Cameron gave Marinaccio his first break.  He was upgraded to UPM on the Mexico shoot for Ghosts of the Abyss. From there, he started working as a UPM on independent features and was soon accepted as a member of the Director’s Guild of America as a Unit Production Manager.

 

Soon after, Steve McEveety (Passion of the Christ, Braveheart) hired him to oversee all production and post for feature films at Mpower Pictures, including The Stoning of Soraya M. and the recently released Snowmen. While at Mpower Pictures, Marinaccio was given the opportunity to assist with development, marketing and awards campaigning, further increasing his understanding of the business side.

 

In early 2009, Marinaccio started his own company, More Nachos Entertainment.  MNE is working on various properties in the video game world, comic book channels and even the Los Angeles stage scene.